Quick Facts
| Full name | María de los Dolores Asúnsolo y López Negrete |
| Known as | Dolores del Río |
| Birthday | August 3, 1904 |
| Country | Mexico |
| Nationality | Mexican |
| Sun sign | Leo |
| Place of birth | Victoria de Durango, Durango, Mexico |
| Date of death | 11 April, 1983 (aged 78) |
Dolores del Río, born María de los Dolores Asúnsolo y López Negrete, was a Mexican actress, dancer, and singer. Known for her work in films such as Joanna, Resurrection, Devil’s Playground, Wild Flower, and The Unloved Woman, Dolores del Río was one of the first major female Latin stars who became a Hollywood star in the 1920s and 1930s.
With an illustrious career spanning over five decades, Dolores del Río is often regarded as one of the most influential female figures in the Golden Age of Mexican cinema.
How much was the Net worth of Dolores Del Rio?
At the time of her passing, the Bird of Paradise actress’s estimated net worth was USD 1.6 million. There is little doubt that Dolores del Rio led a luxury life because of her outstanding net worth.
The actress, who came from an affluent background, did have some financial hardships, though. Initially, during the Mexican Revolution, her family lost everything. Then, following her union with Jaime Martnez del Ro, the del Ro family lost everything when the global cotton market crashed in 1924.
Early Years: Where was Dolores Del Rio born?
On August 3, 1904, Dolores del Rio was born. She was born in Mexico’s Victoria de Durango. Her horoscope is a Leo. Those born under this sign are noted for their optimism, humor, and generosity. They also frequently exhibit rigidity, obstinacy, and haughtiness.
Mexican national Dolores del Rio was born at Victoria de Durango. Dolores was a Mexican Roman Catholic who practiced Catholicism. She was of Spanish descent, though.
Who are the Family Members of Dolores Del Rio?
The daughter of and Antonia López Negrete was Dolores del Rio. She was the granddaughter of the director of the Bank of Durango and hailed from an affluent farming family.
The actress came from one of Mexico’s richest families, whose ancestry may be traced to viceregal aristocracy in Spain. During the Porfiriato, Jes Leonardo Asnsolo Jacques and Antonia López Negrete belonged to the Mexican nobility.
Dolores’ family, while being born into an aristocratic one, lost everything during the Mexican Revolution. Her family made the decision to flee as a result, as the uprising put the Durango noble families that Pancho Villa was guiding in the region in danger.
Father of Dolores, Jess Leonardo Asnsolo Jacques, fled to America. Dolores and her mother Antonia López Negrete managed to flee to Mexico City while posing as peasants, nonetheless.
Thankfully, they were reunited in 1912. Upon their reunification, Dolores and her family resided in Mexico City under Francisco I. Madero’s protection. Antonia, the mother of Dolores, had a cousin named Madero.
Dolores once recalled her experiences of meeting the president and stated,
“I was very young when my mother brought me to the capital to meet her cousin Don Panchito, as she affectionately called him, Madero, then President of the Republic, who would sit me on her knees and would give me a huge red balloon.”
Saint-Joseph Convent was Dolores’ place of study. The nuns at her school required all of the pupils, including Dolores, to speak French at all times when she was a student there.
Dolores’ mother once brought her to a performance of the Russian dancer’s Ana Pavlova ballet. Dolores was very moved by the performance and made the decision to pursue a career in dance as a result.
What was the Relationship history for Dolores Del Rio?
Jaime Martínez Del Río
Dolores del Rio married Jaime Martnez del Rio, an affluent author with a law degree, when she was just fifteen years old. Dolores was eighteen years older than Jaime Martnez del Rio. The union of Dolores with Jaime Martnez del Ro was beneficial to her in numerous ways. The Mexican bombshell’s spouse gave her the creative last name.
But, the marriage also gave her the opportunity to keep taking part in the aristocratic pleasures she had grown accustomed to. Dolores and Jaime Martnez took a two-year honeymoon after getting married. The newlyweds went on a tour of Europe.
Dolores performed a magnificent dance routine for the Spanish kings during one of their stays there, who were awestruck by her after witnessing her dance for the Moroccan army men. Jaime started concentrating his time and efforts on the expanding cotton at Hacienda Las Cruces in Nazas, Durango, after returning to Mexico.
Regrettably, the couple experienced a severe financial problem as a result of the 1924 global cotton market meltdown. When Jaime and Dolores could no longer support themselves financially, they moved to Mexico City and started living with their separate families.
Similar to this, Dolores was forced to sell her jewelry in order to provide for her and her husband during the continuous crisis. Also, Dolores was expecting a child at the time. However, she miscarried as a result of inevitable problems. The doctors warned Dolores against becoming pregnant again since it could endanger her life.
In the late 1920s, when Dolores del Ro’s Hollywood career grew, her marriage to Jaime Martnez deteriorated. Jaime found it difficult to adjust to his new role as Dolores’ husband, a movie star.
Likewise, the couple encountered numerous marital issues following Dolores’ miscarriage. Jaime and Dolores momentarily split apart as a result. Dolores soon after filed for divorce. The pair broke up in 1928. After their divorce, Jaime passed away in Germany six months later.
Cedric Gibbons
Dolores del Rio and Cedric Gibbons, an art director for Metro-Goldwyn-Mayer, first met at a party held at Hearst Castle in 1930. Soon after, they started dating, and on August 6, 1930, they got married.
The del Ro-Gibbons were the center of media attention during the beginning of the 1930s. The del Ro-Gibbons, one of the era’s most well-known Hollywood couples, were known for hosting “Sunday breakfasts” in their Art Deco home at 757 Kingman Avenue in Pacific Palisades.
Soon after walking down the aisle with Gibbons, Dolores del Ro developed a severe kidney ailment, which required her to spend a lot of time in bed. Del Ro’s career experienced a serious setback as a result.
Dolores was added to Metro-Goldwyn-list Mayer’s of “box office poison” despite her husband’s efforts to support del Ro’s faltering career. Dolores del Ro, whose career was in decline, sought comfort in actor and director Orson Welles, whom she met at a gathering Darryl Zanuck hosted.
Despite Dolores’ marriage to Cedric Gibbons, the two fell in love right away and started dating. In the end, del Ro and Gibbons’ marriage was dissolved by the affair. The couple split up in 1941.
Orson Welles
The friendship between Dolores del Rio and Orson Welles became well-known. They dated from 1939 to 1943, a period of four years. Welles was joined by Dolores del Rio while the movie Citizen Kane was being made. In a similar vein, del Ro supported Welles even after the movie sparked a media crisis for openly denouncing media mogul William Randolph Hearst.
Regrettably, their friendship was permanently altered when Nelson Rockefeller hired Orson Welles to travel to South America as a goodwill ambassador. Welles worked on the Rio de Janeiro carnival movie while he was in South America.
There, the filmmaker allegedly engaged in promiscuity, and word of this quickly made its way to America. Dolores del Ro sent Welles a telegram to end their relationship, but the actor never replied.
Rebecca Welles, daughter of Orson Welles, claims
“My father considered Dolores the great love of his life. She is a living legend in the history of my family.”
Welles had an obsessional love affair with Dolores del Rio up until the end of his life.
Lewis A. Riley
Del Ro first met American businessman Lewis A. Riley in Acapulco at the beginning of the 1950s. Riley abandoned their relationship and started dating Del Ro despite having an affair with Bette Davis. Lewis Riley and Dolores del Ro wed in New York in 1959, over ten years after they first fell in love. Del Ro passed away in 1983, ending the couple’s marriage.
Some Unofficial Relationships of Dolores Del Río
The relationship between the Mexican actress and actors Errol Flynn, John Farrow, Erich Maria Remarque, Archibaldo Burns, and Tito Junco was supposed to exist. Many guys were charmed by Dolores’ beauty and grace.
In order to be close to her, Mexican filmmaker Emilio Fernández acknowledged that he participated as an extra in a number of her Hollywood productions. The director once remarked:
“I fell in love with her, but she always ignored me. I adored her… really I adored her.”
Strong rumors also circulated around Dolores del Rio’s purported bisexuality. Actress from Devil’s Playground is said to have been one of Frida Kahlo’s lovers.
What was the Professional Career of Dolores Del Rio?
Early in 1925, del Ro and her first husband, Jaime Martnez del Ro, were visited by the painters Adolfo Best Maugard and American filmmaker Edwin Carewe. Carewe encouraged the couple to work in Hollywood after persuading Jaime that his wife might become a movie star. Jaime assumed that accepting this offer would take the couple out of their financial difficulties and would also help him realize his dream of working as a screenwriter in Hollywood.
In order to launch Dolores’ Hollywood career, the pair journeyed to the United States by train against the desires of their families. Carewe assumed his roles as Dolores’ agent, manager, producer, and director as soon as she arrived in the country. In an effort to draw attention to Dolores, Carewe published a story in the top Hollywood magazines that stated:
Dolores del Rio, an heiress and the First Lady of High Mexican Society, arrived in Hollywood with a shipment of shawls and combs worth $50,000. (is said to be the richest girl in her country thanks to the fortune of her husband and her parents). She will make her acting debut in the Joanna movie, starring her discoverer Edwin Carewe. Below is a list of all the films, shows, plays, short films, and documentaries in which Dolores del Rio appeared.
Filmography:
1925 – 1929:
| Year | Title | Role | Director | Other cast members |
|---|---|---|---|---|
| 1925 | Joanna | Carlotta Da Silva | Edwin Carewe | Dorothy Mackaill, Jack Mullah |
| 1926 | High Steppers | Evelyn Iffield | Edwin Carewe | Mary Astor, Lloyd Hughes, Rita Carewe |
| 1926 | The Whole Town’s Talking | Rita Renault | Edward Laemmle | Edward Everett Horton, Trixie Friganza |
| 1926 | Pals First | Jeanne Lammont | Edwin Carewe | Lloyd Hughes, George Cooper, Edward Earle |
| 1926 | What Price Glory? | Charmaine de la Cognac | Raoul Walsh | Victor McLaglen, Edmund Lowe |
| 1927 | Resurrection | Katyusha Maslova | Edwin Carewe | Rod La Rocque, Rita Carewe, Vera Lewis |
| 1927 | The Loves of Carmen | Carmen | Raoul Walsh | Victor McLaglen, Don Alvarado, Carmen Costello |
| 1927 | No Other Woman | Carmelita de Granados | Lou Tellegen | Don Alvarado, Ben Bard, Paulette Duval |
| 1928 | The Gateway of the Moon | Chela (Toni) | John Griffith Wray | Walter Pidgeon, Leslie Fenton |
| 1928 | The Trail of ’98 | Berna | Clarence Brown | Ralph Forbes, Tenen Holtz |
| 1928 | Ramona | Ramona | Edwin Carewe | Warner Baxter, Roland Drew |
| 1928 | The Red Dance | Tasia | Raoul Walsh | Charles Farrell, Ivan Linow |
| 1928 | Revenge | Rascha | Edwin Carewe | James A. Marcus, Le Roy Mason |
| 1929 | Evangeline | Evangeline | Edwin Carewe | Roland Drew, Alec B. Francis |
1930 – 1942:
| Year | Title | Role | Director | Other cast members |
|---|---|---|---|---|
| 1930 | The Bad One | Lita | George Fitzmaurice | Edmund Lowe, Don Alvarado |
| 1932 | Girl of the Rio | Dolores Romero | Herbert Brenon | Norman Foster, Leo Carrillo, Andrea Palma |
| 1932 | Bird of Paradise | Luana | King Vidor | Joel McCrea, John Halliday |
| 1933 | Flying Down to Rio | Belinnha de Rezende | Thornton Freeland | Gene Raymond, Fred Astaire, Ginger Rogers, Raoul Roulien |
| 1934 | Wonder Bar | Inéz | Lloyd Bacon | Al Jolson, Kay Francis, Ricardo Cortez, Dick Powell |
| 1934 | Madame Du Barry | Madame DuBarry | William Dieterle | Reginald Owen, Victor Jory |
| 1935 | In Caliente | Rita Gómez | Lloyd Bacon | Pat O’Brien, Edward Everett Horton, Glenda Farrell |
| 1935 | I Live for Love | Donna Alvarez | Busby Berkeley | Everett Marshall, Don Alvarado |
| 1936 | The Widow from Monte Carlo | Duchess of Rye | Arthur Greville Collins | Warren William, Colin Clive |
| 1936 | Accused | Gaby Seymour | Thornton Freeland | Douglas Fairbanks Jr., Florence Desmond |
| 1937 | Devil’s Playground | Carmen | Erle C. Kenton | Chester Morris, Richard Dix |
| 1937 | Lancer Spy | Dolores Daria Sunnell | Gregory Ratoff | George Sanders, Peter Lorre |
| 1937 | Ali Baba Goes to Town | Brief cameo | David Butler | Eddie Cantor, Gypsy Rose Lee |
| 1938 | International Settlement | Lenore Dixon | Eugene Forde | George Sanders, John Carradine, June Lang |
| 1940 | The Man from Dakota | Eugenia Sanford | Leslie Fenton | Wallace Beery, John Howard |
| 1943 | Journey into Fear | Josette Martell | Orson Welles | Joseph Cotten, Orson Welles, Ruth Warrick, Agnes Moorehead |
1943 – 1959:
| Year | Title | Role | Director | Other cast members |
|---|---|---|---|---|
| 1943 | Wild Flower | Esperanza | Emilio Fernández | Pedro Armendáriz, Emilio Fernández, Miguel Angel Ferriz |
| 1944 | María Candelaria | María Candelaria | Emilio Fernández | Pedro Armendáriz, Miguel Inclán, Alberto Galán |
| 1945 | Las Abandonadas | Margarita | Emilio Fernández | Pedro Armendáriz, Victor Junco, Arturo Soto Rangel |
| 1945 | Bugambilia | Amalia de los Robles | Emilio Fernández | Pedro Armendáriz, Julio Villarreal, Stella Inda |
| 1945 | La Selva de Fuego | Estrella | Fernando de Fuentes | Arturo de Córdova, Miguel Inclán |
| 1946 | La Otra | María Méndez / Magdalena Méndez | Roberto Gavaldón | Victor Junco, Agustín Irusta |
| 1947 | The Fugitive | María Dolores | John Ford | Henry Fonda, Pedro Armendáriz, Ward Bond, Leo Carrillo |
| 1948 | Story of a Bad Woman | Mrs. Erlynne | Luis Saslavsky | María Duval, Francisco de Paula, Alberto Closas |
| 1949 | The Unloved Woman | Raymunda | Emilio Fernández | Pedro Armendáriz, Columba Domínguez, Roberto Cañedo |
| 1950 | La casa chica | Amalia | Roberto Gavaldón | Miroslava Stern, Roberto Cañedo, Domingo Soler |
| 1951 | Desired | Deseada | Roberto Gavaldón | Jorge Mistral, Anabel Gutiérrez |
| 1951 | Doña Perfecta | Doña Perfecta | Alejandro Galindo | Esther Fernández, Carlos Navarro, Julio Villarreal |
| 1953 | Reportaje | Maria Cristina | Emilio Fernández | Arturo de Córdova, María Félix, Jorge Negrete, Pedro Infante |
| 1953 | El Niño y la Niebla | Martha | Roberto Gavaldón | Pedro Lopez Lagar, Alejandro Ciangherotti Jr., Eduardo Noriega |
| 1955 | Señora Ama | Dominica | Julio Bracho | José Suárez, Ma. Luz Galicia |
| 1958 | Where Are Our Children Going? | Rosa | Benito Alazraki | Tito Junco, Martha Mijares, Andrea Palma |
| 1959 | La Cucaracha | Isabel, the Widow | Ismael Rodriguez | María Félix, Emilio Fernández, Pedro Armendáriz |
1960 – 1978:
| Year | Title | Role | Director | Other cast members |
|---|---|---|---|---|
| 1960 | Flaming Star | Neddy Burton | Don Siegel | Elvis Presley, Barbara Eden, Steve Forrest, John McIntire |
| 1961 | El Pecado de una Madre | Gabriela | Alfonso Corona Blake | Libertad Lamarque, Enrique Rambal, Pedro Geraldo |
| 1964 | Cheyenne Autumn | Spanish Woman | John Ford | Richard Widmark, Carroll Baker, Karl Malden, Sal Mineo, Ricardo Montalban, Gilbert Roland, James Stewart, Edward G. Robinson |
| 1966 | La Dama del Alba | La Peregrina | Francisco Robira Veleta | Juliette Villard, Yelena Samarina |
| 1966 | Casa de Mujeres | Gilda “La Doña” | Julian Soler | Elsa Aguirre, Fernando Soler, Elsa Cárdenas, Carlos López Moctezuma |
| 1967 | More than a Miracle | Queen Mother | Francesco Rossi | Sophia Loren, Omar Sharif |
| 1978 | The Children of Sanchez | Grandma | Hall Bartlett | Anthony Quinn, Katy Jurado, Lupita Ferrer, Lucía Méndez |
Short Films:
| Year | Title |
|---|---|
| 1926 | WAMPAS Baby Stars of 1926 |
| 1930 | Screen Snapshots Series 9, No. 14 |
| 1930 | Screen Snapshots Series 9, No. 23 |
| 1930 | Screen Snapshots Series 19, No. 24 |
| 1935 | A dream comes true: The Making of An Unusual Motion Picture |
| 1935 | A Trip Thru a Hollywood Studio |
| 1937 | Screen Snapshots Series 16, No. 7 |
| 1937 | Screen Snapshots Series 16, No. 8 |
| 1939 | Screen Snapshots Series 18, No. 10 |
| 1940 | Meet the Stars # 1: Chinese Garden Festival |
| 1941 | Meet the Stars # 2: Baby Stars |
| 1954 | Screen Snapshots: Hollywood goes to Mexico |
| 1967 | Río Blanco |
| 1968 | Mexico ’68: Instantaneous /Dolores del Río’s Mexico |
| 1983 | Zelig |
Documentary:
| Year | Title |
|---|---|
| 1928 | Die Filmstad Hollywood |
| 1956 | Torero! |
| 1961 | Hollywood: The Golden Years |
| 1969 | Hollywood: The Selznick Years |
| 1971 | The American West of John Ford |
| 1976 | Salsa |
| 1979 | Mexico de mis amores |
| 2002 | The Bronze Screen: 100 Years of the Latino Image in American Cinema |
| 2003 | Dolores del Río: The Mexican Diva of Hollywood |
| 2012 | Arena : Screen Goddesses |
Television Series:
| Year | Title | Role | Director | Other main cast members |
|---|---|---|---|---|
| 1951 | Trio by the Lamplight | Paul Tripp | ||
| 1951 | The Kate Smith Evening Hour | Herself | Kate Smith (host), Victor Borge | |
| 1957 | Schlitz Playhouse of Stars | Herself | John Brahm | Leon Askin, Cesar Romero |
| 1958 | The United States Steel Hour | Theresa Taillen | Robert Stevens | John Baragrey, Alexander Clark |
| 1960 | The Dinah Shore Chevy Show | Herself | Rolando Aguilar | Gilbert Roland, Ricardo Montalban, Tito Guízar |
| 1965 | The Man who Bought Paradise | Mona | Ralph Nelson | Buster Keaton, Paul Lukas, Angie Dickinson |
| 1966 | I Spy | Serita | Richard C. Sarafian | Robert Culp, Bill Cosby, Victor Jory |
| 1966 | Branded | Antonia Molinera | William Witney | Chuck Connors |
| 1966 | A Bob Hope Comedy Special | Herself | Jack Shea | Bob Hope, Michael Caine, Cantinflas, Glenn Ford, Gina Lollobrigida, Jayne Mansfield, Merle Oberon, Silvia Pinal |
| 1968 | Dolores del Río (T.V BIography) | Herself | ||
| 1970 | Maratón Rosa Mexicano | Herself / Host | María Félix, Libertad Lamarque, Raphael, Carmen Montejo, María Elena Marqués | |
| 1970 | Marcus Welby M.D. | Carlotta Lopez de Guadalupe | Daniel Petrie | Robert Young, James Brolin, Janet Blair |
Theatre:
| Year | Play | Role | Theatre | Other notable cast members |
|---|---|---|---|---|
| 1941 | The Mercury Wonder Show | Many roles | California State Fair | Orson Welles |
| 1956 | Anastacia | Anastacia Romanov | Falmouth Playhouse, Massachusetts | Lili Darvas, Alan Shayne, Stephen Elliott, Boris Tumarin |
| 1958 | Lady Windermere’s Fan | Mrs. Erlynne | Teatro Virginia Fábregas, Mexico City / Teatro Nacional de Buenos Aires, Argentina | (México) María Rivas, Carlos Navarro, Joaquín Cordero, Anita Blanch, Tito Junco, (Argentina) Alberto Closas, Ana Luisa Peluffo |
| 1959 | The Road to Rome | Amitis | Teatro de los Insurgentes, Mexico City | Wolf Ruvinskis, Raúl Ramírez, Jorge del Campo, Rosenda Monteros |
| 1961 | La despedida | Herself | Million Dollar Theater, Los Angeles, California | Jorge Martínez de Hoyos |
| 1962 | Ghosts | Mrs. Helen Alving | Sala Chopin, Mexico City | Julián Soler, Adriana Roel, Jorge del Campo, |
| 1963 | Dear Liar: A Comedy of Letter | Mrs. Patrick Campbell | Teatro de los Insurgentes, Mexico City | Ignacio López Tarso |
| 1964 | La Vidente (La Voyante) | La Vidente | Teatro de los Insurgentes, Mexico City | Fernando Luján, Jacqueline Andere, Marilú Elízaga, Blanca Sánchez, Narciso Busquets, Magda Donato, Tamara Garina |
| 1967 | The Queen and the Rebels | Algira | Teatro Hidalgo, Mexico City | Ignacio López Tarso, Narciso Busquets, Patricia Morán |
| 1970 | The Lady of the Camellias | Marguerite Gautier | Teatro Hidalgo, Mexico City | Carlos Bracho, Marilú Elízaga, Germán Robles, Angélica Aragón |
Awards:
| Year | Film | Result | Award | Category |
|---|---|---|---|---|
| 1944 | Las abandonadas | Won | Silver Ariel Award | Best Actress |
| 1946 | La Otra | Nominated | Silver Ariel Award | Best Actress |
| 1949 | La Casa Chica | Nominated | Silver Ariel Award | Best Actress |
| 1951 | Doña Perfecta | Won | Silver Ariel Award | Best Actress |
| 1953 | El Niño y la Niebla | Won | Silver Ariel Award | Best Actress |
| 1975 | Honorific Award | Won | Golden Ariel Award | Contribution to the Mexican Cinema |
Honorary Awards:
| Year | Award | Category |
|---|---|---|
| 1926 | WAMPAS Baby Stars | A promotional campaign sponsored by the United States Western Association of Motion Picture Advertisers honored thirteen young actresses each year they believed to be on the threshold of movie stardom. |
| 1943 | Instituto de Artes y Ciencias Cinematográficas de México | Best Actress (Flor Silvestre) |
| 1957 | Asociacion Nacional de Actores | Medal for her outstanding scenic work abroad. |
| 1952 | Neiman Marcus Fashion Award | Medal for the best dressed woman in America |
| 1961 | Hollywood Walk of Fame | Motion Pictures (Location: 1630 Vine Street) |
| 1965 | Sarape de Plata (PECIME) | Commemoration of the 50th Anniversary of the talkies in Mexico. |
| 1967 | Organization of American States | Medal for her cultural contribution to the peoples of America |
| 1974 | Diosa de Plata Award (PECIME) | Motion Pictures Contribution |
| 1975 | Mexican Legion of Honor | Diploma for artistic merit |
| 1978 | Mexican American Institute of Cultural Relations | Award for artistic merit |
| 1982 | George Eastman Award | George Eastman House established the George Eastman Award for distinguished contribution to the art of film |
| 1993 | The Four Ladies | The Four Ladies of Hollywood gazebo at the western border of the Hollywood Walk of Fame. The domed structure is held aloft by four caryatids sculpted by Harl West to represent the Mexican actress Dolores del Río, African-American actress Dorothy Dandridge, Asian-American actress Anna May Wong and the multi-ethnic, Brooklyn-born actress Mae West. |
What was the Death Cause of Dolores Del Rio?
Near the end of her life, the Spanish bombshell struggled with a number of health concerns. She was identified as having osteomyelitis in 1978. Similar to that, she received a hepatitis B diagnosis in 1981. In addition, del Ro had arthritis. Del Ro was taken to Scripps Hospital in 1982 when her cirrhosis developed as a result of her hepatitis.
Sadly, del Ro passed away from her sickness on April 11, 1983. She died at Newport Beach, California, at the age of 78. Her ashes were transported from the United States to Panteón de Dolores, Mexico, following her funeral.
Body Measurement: How tall is Dolores Dol Rio?
Dolores del Rio was renowned for her beauty and grace and was regarded as the world’s most iconic portrayal of Mexico’s female face as well as a legendary figure in both American and Mexican movies. The Hispanic bombshell measured 5 feet, 3 inches tall. She had the most beautiful face and lovely brown eyes. She also possessed brown hair.
Trivia
- Dolores del Río was one of America’s first Latina film stars. She moved to Hollywood at the age of 21.
- Dolores had a longstanding feud with actress Lupe Velez. On one occasion, Velez called Dolores a “bird of bad omen”. Likewise, Velez would often imitate Dolores in public as a way of mocking the Joanna actress. As a result, Dolores was terrified to meet Velez.
- The Mexican starlet was known not only for her acting and dancing abilities but also for her timeless beauty. Describing her elegance and beauty, George Bernard Shaw once said, “The two most beautiful things in the world are the Taj Mahal and Dolores del Río.”
- Dolores was discovered by filmmaker Edwin Carewe who convinced her that she could become a Hollywood star. Carewe, who worked as Dolores’s agent, manager, producer, and director in Hollywood, was obsessed with her and was determined to win her over.
- The Mexican diva’s beauty regimen included lying flat on the floor for extended periods of time every day. She referred to this practice as her “first beauty rule.”
- Dolores del Río was the first actress to wear a bikini on screen. She flaunted a bikini in the film, Flying Down to Rio.
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